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deadline waiver program and examination

NOTICE IS IMPORTANT AND URGENT

reminds students that the exemption MUST BE JUDGED BY THE REMAINDER OF ORAL EXAMINATION THAT YOU ARE STRONGLY ADVISED TO TAKE IN THE SAME SESSION OR THE MAXIMUM NUMBER OF APPEALS BEFORE THE AUTUMN SESSION 2009

The vote of ' WAIVER AND COURSE PROGRAM 2008-09 ending with the last appeal in October 2009.

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http://www. 4shared.com/file/115623927/40a34857/001.html
http://www.4shared.com/file/115625744/a005ccbd/002.html

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URGENT SOCIAL HISTORY OF ART

ARE READY TO LECTURE NOTES OF THE CURRENT SOCIAL HISTORY OF THE 'ART OF THIS YEAR

collect reference texts of lectures 2008-09

retire, bound to centrofotocopie Faculty.

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examination of the social history of art

NOTICE FOR STUDENTS Undergraduate



SOCIAL HISTORY OF ART

these tests are strongly recommended for students preparing for this exam the first time:


to 8 credits: students Attending:

E. Castelnuovo, Art. Industry. Revolutions, Einaudi, Torino, 1985 (photocopy in the Faculty of centrofotocopie)

M. Baxandall, Painting and social experiences in Italy in the fifteenth century, Einaudi, Torino, various issues

M. Wackernagel, The World of the Florentine Renaissance Artists . Clients, shops and art market, The New Scientific Italy, Rome, 1994

F. Haskell, Patrons and painters. Studies on the relationship between art and society during the Baroque Italian, Sansoni, Firenze1966, editions, or J. Shearman, Arts and spectator in the Italian Renaissance, Jaka Book, Milano, 2000



dispensation during 2008-09 (Center photocopies of the Faculty)


For 4 CFU: attending

Castelnuovo and Baxandall + pantry 2008-09


For all non-attending :

addition to the above texts, for 8 or 4 credits should be added also

handouts last year, artists and works from the fifteenth to the eighteenth century (yellow kiosks).



For students of previous years to 2008-09, or who wish to choose other texts, texts

see list of social history of art
v. April 28, 2009 blog, or website DEPT., Bulletin board in the department and at the sign. A. Murri and FR. Martini

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2008-09 amends APPEAL

Because of overlap with sessions examining the appeal of the July 13 graduation

has moved to July 14

Farewell Gathering Invitation Words

Votes exemption of social history of art

Votes EXEMPTION Social History of Art

Armini Julian ................... ............ 30

Elisa Beltrami De Santis

........... 30 ....... 25 Rachel Ricci

Maid Salvatore ................ 30 Zullo

Serena .......................... 27

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URGENT RELIEF AND TESTS AND LAST LESSON

URGENT AND IMPORTANT NOTICE

STUDENTS PLEASE NOTE THAT THIS DISCLAIMER MUST BE CONSIDERED WITH THE REST OF ORAL EXAMINATION THAT YOU ARE STRONGLY ADVISED TO TAKE IN THE SAME SESSION OR SEVERAL APPEALS TO THE MAXIMUM BEFORE THE AUTUMN SESSION 2009

The exemption VOTE AND THE PROGRAM OF THE YEAR 2008-09 ending with the last appeal in October 2009.

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CONFERENCE CALENDAR June 5

Bachelor's degree in art history
Sciences

course Social History of Art
Prof. ssa Luciana Cassanelli

Conference
LOGIC AND PARADOXES OF ANCIENT ART MARKET

Prof. Luca Bortolotti-Finarte Auction House
Department ancient paintings and drawings

June 5
17 hours a plenary Department of Art History

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Social History of Art and History of Modern
(L-ART/02)

9.00 - Dip.to Art History

Summer Session
18 / 06/2009
13/07/2009 27/07/2009

--------------------------------- ----------
Autumn Session
10/09/2009
23/09/2009 10/10/2009

NOTE

To register for the exams you should enter the site of FSU: http://www.scienzeumanistiche.uniroma1.it/ go to: students, exams, exams book

Carefully read the instructions and communications with information essential to me included:

For the organization of the examining boards is essential that each student
enter along with your name : The course of study upon which, the credits;
program which presents academic year, if the user port;
bring the book or white Green registered with the exams or the curriculum.

NB This examination is possible as a THREE-YEAR HISTORY OF MODERN ART, even for students to l. specialist who have never claimed.

It 'also possible for the Old Order

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EXAM RESULTS

2008-2009 - second semester course
Modern Art History: Prof. Luciana Cassanelli

List Students who have taken the exemption

rating ----- 20 ----- NAME

Alfonso Maria Giovanna
Anogia 20 ----- 21 ----- Maria Despoina
Argentieri Federzoni Carolina
R? Rhun
Barduagni ----- 26 29 ----- ----- Bartholomew Giulia
Bartuli
Cecilia Maria Basile Leondina
R ----- 23 ----- 22 ---- Brancato Manuela
- Bruno Giulia Bruno Veronica

21 ----- 20 ----- 26 -----
Brunozzi Ilaria Bruschi Francesca Romana
Capotosti Marta
22 19 ----- ----- Cardosi Flavia
20 22 ----- ----- Casciani Marina
Melanie
Box 21 ----- Maria Pia Cavallo
22 22 ----- ----- ECLAC
Laura Chiappini Silvia Simone
Consalvi
23 ----- 24 ----- 26 -----
Corrado Elisa D'Anna Aloja Chiara

Mario D'Ambrosio 20 ----- 21 ----- 22 -----
D'Amico Silvia De Paola Eugenia
27 ----- 19 ----- De Santis Ilaria
Diamonds Marco Di Chio
25 ----- 23 -----
Maria Cristina Di Fazio
Giulia Di Stefano Daniela
25 ----- 26 ----- 24 -----
Emmolo Maria Teresa Luca Esposito
22 24 ----- ----- Evangelisti
Serena Fabiani Miranda
27 20 ----- ----- Fares Laura
Gambucci Sara Viola Gandolfi

22 ----- R ---- - Gamlath Priyan
Roberta Gatti
22 19 ----- ----- ----- 23 Gavillucci Leo
Giacomoni Elisa Giuliani Flavia

25 ----- 25 ----- 21
Guarini Ross Camilla
Guerrina ----- 23 ----- 23 -----
Cecilia Hausmann Hilbrat Giulia
27 26 ----- ----- Ingala Martina
Lacetra Noemi Silvia
R ---- - Costanza Levi Della Vida
22 Cicero Elisa
----- 21 ----- 26 ----- Longano Lucia
Luciani Lavinia
28 26 ----- ----- Lunetti Barbara
Boss Benedetta Silvia Mancini

22 ----- 26 ----- 26 -----
Carlotta Manni Enrica Mariani Fabio Martini

23 ----- 24 ----- 22 ---
Riccardo Mauri - Mazzelli Andreachiara
25 22 ----- ----- Mecarelli Claudia
Michaille
Anna Martina Honey
22 25 ----- ----- ----- 24
Miglietta Giordana Marcella Mitaritonna
27 28 ----- ----- In Ludovica
Odone Geneva
25 ----- 24 -----
Sara Pace Pacific Carlo Palomba Gaia

23 ----- 26 - ---- 19 -----
Claudio Parisi Paola Perri
27 21 ----- ----- Pollini
Giulia Francesca
Pusceddu 27 25 ----- ----- Restaino
Donatella Ricci Fabio Rizzo Donatella

27 ----- 23 ----- 26 -----
Emanuele Rizzo Salvia Lucia Francesca Sani

23 ----- 24 ----- 23 Scillia Alessia
Eleanor Sheldon
----- 25 ----- 23 ----- Seven
Scorza Francesca Veronica Bruno Sorrentino

24 ----- 27 ----- 19 -----
Martina Sozzi Often
Andrea Tagliavini Melanie
25 26 ----- ----- ----- Tamburri Eleonora
Taverna Carolina
23 24 26 ----- ----- Tremontini
Sofia Valiante Alessandra
28 - Claudia
Vallocchia ---- 23 ----- 23 ----- Vela Manuela
Zugarelli Lusiana

Compering For Annual Day Function

EXEMPTION LIST OF BOOKS HISTORY OF MODERN

ACADEMIC YEAR 2008-2009 Undergraduate - Prof.L.Cassanelli

LIST OF TEXTS FOR THE TWO YEARS 'HISTORY OF MODERN ART

readings required for the preparation of the form:
4 credits for two texts
4 to 8 credits texts
choice but to agree with the teacher, including the following:

J. ACKERMAN, Architecture and Design. The representation from Vitruvius to Gehry, Electa, Milan 2003
ARGAN GC, Borromini, Sansoni, Milano, 1996
ARGAN GC, The Capital of Europe, rest. 2005
BATTISTI E., The Antirinascimento, Garzanti, Milan 1989 and other editions
Eugenio Battisti, Arts, Theater, Society, edited by FM Battisti and G. Saccaro of Buffa, F. BOLOGNA Vecchierelli ed.2008
the disbelief of Caravaggio, Turin Boringhieri, last ed.
BORROMINI BAROQUE AND UNIVERSITIES, by Bosele and Frommel, Milan 1999
Cassanelli L., The Renaissance courts: patrons and artists, Sinnos, Rome 2004
CHASTEL A., The Great workshop. Italian Art 1460 -1500, BUR Arte, Milan 2003
CHASTEL A., The act of art, Laterza 2002 and CHASTEL A., grotesque, Einaudi 1989
COLUMN S., La Galleria dei Carracci in Palazzo Farnese in Rome, Gangemi 2007
DUMMIES G. edited, modern Rome, Laterza, Roma-Bari, 2002
J. CONNORS, Alliances and inimicizie.L 'planning of Baroque Rome, Laterza, Bari Rome, 2005
M. BEAN ARC, the image of the potere.Vita Gianlorenzo Bernini, Laterza 2001
GINZBURG CARIGNAN S., Annibale Carracci in Rome. The frescoes in the Palazzo Farnese, Donzelli, Rome
Krautheimer A., \u200b\u200bRome of Alexander VII 1655-1667, Elephant Editions, Rome, 1987
LABROT G., Roma Caput Mundi ", L 'baroque image of the Holy City, 1534 -1667, Naples, 1997
I. LAVIN, Bernini and the unity of the visual arts, ed. Elephant
I. LAVIN, Bernini and the Savior, Donzelli, Roma 1998
W. Lotz, Studies of Italian Renaissance architecture, Electa 1989
C. BROWN, Hieroglyphs fantastic Athanasius Kircher, Print alternativ graffiti and 20,058 Roma (2.ed.)
MOST GLENN W., Reading Raphael, The School of Athens and its pre-text, Einaudi, Torino 2001
PINELLI A., The history of modern art. User manual, 2009
PINELLI A. Laterza, Rome in the Renaissance, Laterza, Roma-Bari, 2001
PORTUGUESE P., Baroque Rome, Laterza, Roma-Bari, various issues
SANTUCCI P., Su Andrea Mantegna Liguori ed. 2004
R. Wittkower, Palladio and Palladio, Einaudi 1984
R. Wittkower, Sculpture told, Einaudi 1985
R. Wittkower, Architectural Principles in the age of humanism, Einaudi, 1964, and various.
ZERI F., Painting and the Counter-Blacks Pozza 1997

Also: Students who wish to learn an artist through the study of a monograph or the catalog of an exhibition, possibly still in progress, agree the program with the teacher.

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LIST OF BOOKS FOR SOCIAL HISTORY OF ART NEWS

ACADEMIC YEAR 2008-2009
Degree-Prof.L.Cassanelli
LIST OF TEXTS FOR SOCIAL HISTORY OF ART

readings required for the preparation of the form: 4 credits for two texts, for 8 credits 4 texts, by choice, but to be agreed with the teacher, including the following:

S. Alpers, The Art of Describing. and science in the seventeenth century Dutch painting, Hogarth 1984

M. Baxandall, Painting and social experiences in Italy in the fifteenth century, Einaudi, Torino, various issues

Eugenio Battisti. ART, THEATRE COMPANY ', edited by FM Battisti and G. Saccaro of Buffa, Vecchierelli ed.2008

P. BURKE, The Artist: moments and aspects, CONTI A., The evolution of the artist in Italian Art History, vol.2, The artist and the public , Einaudi 1979, pp.85-263

Cassanelli L., The Renaissance courts: patrons and artists, Sinnos, Rome 2004

E. Castelnuovo, Art. Industry. Revolutions, Einaudi, Torino, 1985 **

CASTELNUOVO E., The Meaning of portrait painting in society, History of Italy, vol.5, documents, Einaudi, pp. 1031-1094

DALE KENT, Purchaser and the arts. Cosimo de 'Medici and the Florentine Renaissance, Electa, Milan 2006

F. Haskell, Patrons and painters. Studies on the relationship between art and society during the Baroque Italian, Sansoni, Firenze1966, subsequent editions.

F. Haskell, rediscovered in the art. Aspects of taste, fashion and collecting, Milan 1982

F. Haskell, The ancient history of gusto.la seduction of classical sculpture, Torino 1984

Haskell F. , The images of history, Einaudi, Torino 1997

F. Haskell, History of the exhibitions, Skira 2009

PINELLI A., Beauty impure. Art and Politics in Renaissance Italy, Laterza, Roma-Bari 2004

POMMIER E., The Picture. History and theory from the Renaissance to the age of Enlightenment, Einaudi 2003

POMMIER And The invention of art in Renaissance Italy, Einaudi 2007

J. Shearman, Arts and spectator in the Italian Renaissance, Jaka Book, Milano,

2000 M. Wackernagel, The World of the Florentine Renaissance artists. Clients, shops and art market, The New Scientific Italy, Rome, 1994

R. Wittkower, Born under Saturn. The ancient figure of the French Revolution, Einaudi, and social.

R. Wittkower, Architectural Principles in the age of humanism, Einaudi, 1964, and various.

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Dear students and dear students,
the second and third parts of this year will be carried out, as already mentioned in the first class, with both classroom lectures for readings in the manual works well, but with emphasis on social history, with the participation in the conferences held by other teachers, yet with visits to exhibitions, museums, churches and important sites of Rome.
course for all classes is mandatory signature of presence, and visits to the reservation, whether gratis or for those pagamento.Tutti organizational aspects are carried out at the beginning or end of the school, or within hours of receiving students.
TODAY April 27: 17 hours in the classroom, then 17.30 Odeion, conference Professor Subrizi
TUESDAY 'April 28: 13:15 lesson, at 15-17
MONDAY' May 4: 17 hours in the classroom for the past agreements visit Arezzo, 17.30 Odeion conference, Professor BORDIN
TUESDAY 'May 5: lesson does not take place (at the conference committed Markets of Trajan, the story continues, the administrative center to center of culture, Auditorium Ara Pacis)
WEDNESDAY' May 6 : visit to Arezzo
FRIDAY 'May 8 17-19 lesson hours

Visits can also be arranged outside these hours because of my lectures are also recovery of the lessons jump to holidays, or delayed institutional commitments, so complete, as far as possible, the roof of the lessons provided by the 12 credits, within the first week of June.

Friday 24 morning we visited the Church and the Piazza di S. Maria del Popolo, the
6maggio is booking a visit to the exhibition in Arezzo Della Robbia, the cycle of Piero della Francesca.
E 'urgent fee € 8 for the show that we have to ship NOW. by increasing the share today. The students involved in the book are: Flavia
Bigiarini mailto: FLABIGG@HOTMAIL.IT ) and Jordan Miglietta

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LESSONS FOR THE NEXT SOCIAL HISTORY OF ART / LS

DEGREE
Students the years beyond the first year :
can bring my program last year to the Social History of the autumn session 2009
The old program for 4, or 8 if they followed two years
blogspot NBconsulta in the old posts :
degree of 7:11:08, another card for the exhibition 7:11:07; update 27.01.2008 and finally the lyrics for not attending the February 7, 2008

Students first year of master :

a. can follow and make an examination of the history of modern
(three-year program if they have not never done this test in three years)
b . can not have a review of social history of art art LS because this year I have taught
c. can not even do the three-year program that the exam is no longer provided for in the LS.

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PROGRAMME OF OLD ORDER

DEGREE OF OLD LAW (FOUR)

the program always agree with the teacher.

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INSTRUCTIONS USE THE FIRST FORM WAIVER PROGRAM



Undergraduate Students of of all first year degree courses: history of modern art from
12 credits for attending: the two volumes of the manual and can do

exemption for students first year of the course of art and entertainment DASS:
is the history of 'social history of art art 12 credits ,
attenders: two volumes of the manual and opportunity for exoneration

For the same students do not attend, no exemption and added the text: L.

Cassanelli The Renaissance courts, ed.Sinnos, Rome

For students of years after the first :
must follow the plan studies already delivered with the requisite number of credits
(4 or 8) is that the history of modern art history social

History of Modern-core modules: Manual 400 to 700 inclusive, the examination must be superat0 first social history of art or other investigations, even of modern art.

HISTORY OF MODERN ART (after the first year)

to 8 credits: Attending: 4 texts chosen from list (agreed with the teacher) to 4 CFU
: Attending: 2 texts chosen from list (agreed with the teacher)
For all uncommon: to add the notes of last year,
artists and works from the fifteenth to the eighteenth century (yellow kiosks)


SOCIAL HISTORY OF ART
to 8 credits: Attending: Castelnuovo, Baxandall, Wackernagel, Haskell or Shearman + pantry in preparation for 4 CFU

: attending Castelnuovo and Baxandall
+ pantry in preparation for all non-attenders: add notes last year's artists and works from the fifteenth to the eighteenth century (yellow kiosks).

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MONDAY 'April 20, 2009

hours in the classroom and the lessons (except for last minute changes!)

RELEASE FIRST 4 CFU of

HISTORY OF MODERN ART: From International Gothic to the late fifteenth

A. Places of art 12 to 14, including chapter (pp. 270 approx)

B. Art in time Parteprima.Il century (pp. 253)

Book on attendance sheet

------------------------------ ------------------------------------------

EXEMPTION OF SOCIAL HISTORY ' ART

A. initial examination, the first three chapters of Castelnuovo

B. Second test: the first two chapters of Baxandall

Book on attendance sheet

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ATTENDING CLASSES START II SEMESTER ACADEMIC YEAR 2008-09

HISTORY OF MODERN ART-Degree



STARTING Friday, March 6 hours 17

and Artists works in Italy from the fifteenth to the eighteenth century .

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Undergraduate
Social History of Art and History of Modern Art (L-ART/02)

12 CFU (8 +4) - II semester

Module Title: artists and works in Italy from the fifteenth to the eighteenth century.

Content: The course has as its object of study of the artistic production of painters, sculptors and architects interpreted in the light of secular and religious patronage is having a public and private, to track the dynamics of the conception, design and production on the one hand and receiving the other. The course is aimed at an educational base and is open to all students
Lyrics:
By framing the history of art in Italy from the fifteenth to the eighteenth century, a manual selection from among the following two:
- G. Bora, G. Fiaccadori, A. Negri, A. Nova, places of art. History works vol.3 paths and vol. B. Mondadori Electa-4, various issues
- P. De Vecchi, E. Cerchiari, Art in time, vol. II, Milan, Bompiani, various issues
-
Lecture - 2 texts to choose from a list
CLASS HOURS: Monday 17-19, Tuesday 13-15, Friday 17-19,
Chamber I of the Department of Art History
BEGINNING OF COURSES: March 6, 2009, at 17

RECEPTION: Tuesday 15-17, room 12, Department of Art History

e-mail: mailto : luciana.cassanelli @ uniroma1.it
luciana.cassanelli @ gmail.com
and of course this very blog

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exam date change

Because of Carnival celebrations, educational activities is suspended and the examination was postponed to February 23 February 25 9 am

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urgent information stage

ORGANIZATIONAL MEETING NOTICE STAGE
internship
Prof. ssa Luciana Cassanelli triggered an internship with the City of Rome, I-Service technical and scientific coordination of the catalog of the City Superintendent on a draft annotated bibliography of the magazine Capitol, historical review of the administration City, founded in 1925.
Undergraduate students may participate, expert with the recognition of credits and graduates. Interested students may write to luciana.cassanelli @ uniroma1.it or directly from the blog http://lucianacassanelli.blogspot.com/

On February 9, 2009 12 hours is called the first meeting for new students interested in participating in the internship with the City of Roma.stanza 12
department of art history to receive the requested information and take the subsequent agreements.

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SUSPENDED STUDENTS RECEIVING NOTICE

20 and January 27 is suspended because the students are receiving in fees laurea.Per urgent requests to write the mail. On 29 January
are

Faculty

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internship

NOTICE internship

Prof. ssa Luciana Cassanelli triggered an internship with the City of Rome, I-Service technical and scientific coordination of the catalog of the City Superintendent on a draft annotated bibliography of the magazine Capitol, the municipal historical magazine, founded in 1925.

Undergraduate students may participate, expert with the recognition of credits and graduates. Interested students may write to luciana.cassanelli @ uniroma1.it or directly from this blog.

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ORGANIZATIONAL MEETING CALENDAR

On 29 January at 10.30
has convened the first meeting for new students interested in participating in the internship with the City of Rome.
room 12 department of art history

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STAGE TESTS February-March 09

HISTORY OF MODERN ART HISTORY-SOCIAL

2:02:09 9 am 9 am
23.o2.09
7:03:09 9 am