Compering For Annual Day Function

EXEMPTION LIST OF BOOKS HISTORY OF MODERN

ACADEMIC YEAR 2008-2009 Undergraduate - Prof.L.Cassanelli

LIST OF TEXTS FOR THE TWO YEARS 'HISTORY OF MODERN ART

readings required for the preparation of the form:
4 credits for two texts
4 to 8 credits texts
choice but to agree with the teacher, including the following:

J. ACKERMAN, Architecture and Design. The representation from Vitruvius to Gehry, Electa, Milan 2003
ARGAN GC, Borromini, Sansoni, Milano, 1996
ARGAN GC, The Capital of Europe, rest. 2005
BATTISTI E., The Antirinascimento, Garzanti, Milan 1989 and other editions
Eugenio Battisti, Arts, Theater, Society, edited by FM Battisti and G. Saccaro of Buffa, F. BOLOGNA Vecchierelli ed.2008
the disbelief of Caravaggio, Turin Boringhieri, last ed.
BORROMINI BAROQUE AND UNIVERSITIES, by Bosele and Frommel, Milan 1999
Cassanelli L., The Renaissance courts: patrons and artists, Sinnos, Rome 2004
CHASTEL A., The Great workshop. Italian Art 1460 -1500, BUR Arte, Milan 2003
CHASTEL A., The act of art, Laterza 2002 and CHASTEL A., grotesque, Einaudi 1989
COLUMN S., La Galleria dei Carracci in Palazzo Farnese in Rome, Gangemi 2007
DUMMIES G. edited, modern Rome, Laterza, Roma-Bari, 2002
J. CONNORS, Alliances and inimicizie.L 'planning of Baroque Rome, Laterza, Bari Rome, 2005
M. BEAN ARC, the image of the potere.Vita Gianlorenzo Bernini, Laterza 2001
GINZBURG CARIGNAN S., Annibale Carracci in Rome. The frescoes in the Palazzo Farnese, Donzelli, Rome
Krautheimer A., \u200b\u200bRome of Alexander VII 1655-1667, Elephant Editions, Rome, 1987
LABROT G., Roma Caput Mundi ", L 'baroque image of the Holy City, 1534 -1667, Naples, 1997
I. LAVIN, Bernini and the unity of the visual arts, ed. Elephant
I. LAVIN, Bernini and the Savior, Donzelli, Roma 1998
W. Lotz, Studies of Italian Renaissance architecture, Electa 1989
C. BROWN, Hieroglyphs fantastic Athanasius Kircher, Print alternativ graffiti and 20,058 Roma (2.ed.)
MOST GLENN W., Reading Raphael, The School of Athens and its pre-text, Einaudi, Torino 2001
PINELLI A., The history of modern art. User manual, 2009
PINELLI A. Laterza, Rome in the Renaissance, Laterza, Roma-Bari, 2001
PORTUGUESE P., Baroque Rome, Laterza, Roma-Bari, various issues
SANTUCCI P., Su Andrea Mantegna Liguori ed. 2004
R. Wittkower, Palladio and Palladio, Einaudi 1984
R. Wittkower, Sculpture told, Einaudi 1985
R. Wittkower, Architectural Principles in the age of humanism, Einaudi, 1964, and various.
ZERI F., Painting and the Counter-Blacks Pozza 1997

Also: Students who wish to learn an artist through the study of a monograph or the catalog of an exhibition, possibly still in progress, agree the program with the teacher.

Ducked Billed Platypus Origami

LIST OF BOOKS FOR SOCIAL HISTORY OF ART NEWS

ACADEMIC YEAR 2008-2009
Degree-Prof.L.Cassanelli
LIST OF TEXTS FOR SOCIAL HISTORY OF ART

readings required for the preparation of the form: 4 credits for two texts, for 8 credits 4 texts, by choice, but to be agreed with the teacher, including the following:

S. Alpers, The Art of Describing. and science in the seventeenth century Dutch painting, Hogarth 1984

M. Baxandall, Painting and social experiences in Italy in the fifteenth century, Einaudi, Torino, various issues

Eugenio Battisti. ART, THEATRE COMPANY ', edited by FM Battisti and G. Saccaro of Buffa, Vecchierelli ed.2008

P. BURKE, The Artist: moments and aspects, CONTI A., The evolution of the artist in Italian Art History, vol.2, The artist and the public , Einaudi 1979, pp.85-263

Cassanelli L., The Renaissance courts: patrons and artists, Sinnos, Rome 2004

E. Castelnuovo, Art. Industry. Revolutions, Einaudi, Torino, 1985 **

CASTELNUOVO E., The Meaning of portrait painting in society, History of Italy, vol.5, documents, Einaudi, pp. 1031-1094

DALE KENT, Purchaser and the arts. Cosimo de 'Medici and the Florentine Renaissance, Electa, Milan 2006

F. Haskell, Patrons and painters. Studies on the relationship between art and society during the Baroque Italian, Sansoni, Firenze1966, subsequent editions.

F. Haskell, rediscovered in the art. Aspects of taste, fashion and collecting, Milan 1982

F. Haskell, The ancient history of gusto.la seduction of classical sculpture, Torino 1984

Haskell F. , The images of history, Einaudi, Torino 1997

F. Haskell, History of the exhibitions, Skira 2009

PINELLI A., Beauty impure. Art and Politics in Renaissance Italy, Laterza, Roma-Bari 2004

POMMIER E., The Picture. History and theory from the Renaissance to the age of Enlightenment, Einaudi 2003

POMMIER And The invention of art in Renaissance Italy, Einaudi 2007

J. Shearman, Arts and spectator in the Italian Renaissance, Jaka Book, Milano,

2000 M. Wackernagel, The World of the Florentine Renaissance artists. Clients, shops and art market, The New Scientific Italy, Rome, 1994

R. Wittkower, Born under Saturn. The ancient figure of the French Revolution, Einaudi, and social.

R. Wittkower, Architectural Principles in the age of humanism, Einaudi, 1964, and various.

Second Herpes Outbreak Duration

Dear students and dear students,
the second and third parts of this year will be carried out, as already mentioned in the first class, with both classroom lectures for readings in the manual works well, but with emphasis on social history, with the participation in the conferences held by other teachers, yet with visits to exhibitions, museums, churches and important sites of Rome.
course for all classes is mandatory signature of presence, and visits to the reservation, whether gratis or for those pagamento.Tutti organizational aspects are carried out at the beginning or end of the school, or within hours of receiving students.
TODAY April 27: 17 hours in the classroom, then 17.30 Odeion, conference Professor Subrizi
TUESDAY 'April 28: 13:15 lesson, at 15-17
MONDAY' May 4: 17 hours in the classroom for the past agreements visit Arezzo, 17.30 Odeion conference, Professor BORDIN
TUESDAY 'May 5: lesson does not take place (at the conference committed Markets of Trajan, the story continues, the administrative center to center of culture, Auditorium Ara Pacis)
WEDNESDAY' May 6 : visit to Arezzo
FRIDAY 'May 8 17-19 lesson hours

Visits can also be arranged outside these hours because of my lectures are also recovery of the lessons jump to holidays, or delayed institutional commitments, so complete, as far as possible, the roof of the lessons provided by the 12 credits, within the first week of June.

Friday 24 morning we visited the Church and the Piazza di S. Maria del Popolo, the
6maggio is booking a visit to the exhibition in Arezzo Della Robbia, the cycle of Piero della Francesca.
E 'urgent fee € 8 for the show that we have to ship NOW. by increasing the share today. The students involved in the book are: Flavia
Bigiarini mailto: FLABIGG@HOTMAIL.IT ) and Jordan Miglietta

When People With Hiv Get Sick

LESSONS FOR THE NEXT SOCIAL HISTORY OF ART / LS

DEGREE
Students the years beyond the first year :
can bring my program last year to the Social History of the autumn session 2009
The old program for 4, or 8 if they followed two years
blogspot NBconsulta in the old posts :
degree of 7:11:08, another card for the exhibition 7:11:07; update 27.01.2008 and finally the lyrics for not attending the February 7, 2008

Students first year of master :

a. can follow and make an examination of the history of modern
(three-year program if they have not never done this test in three years)
b . can not have a review of social history of art art LS because this year I have taught
c. can not even do the three-year program that the exam is no longer provided for in the LS.

Weakest Interaction Between Molecules Co2

PROGRAMME OF OLD ORDER

DEGREE OF OLD LAW (FOUR)

the program always agree with the teacher.

Disconnect Phone Letter

INSTRUCTIONS USE THE FIRST FORM WAIVER PROGRAM



Undergraduate Students of of all first year degree courses: history of modern art from
12 credits for attending: the two volumes of the manual and can do

exemption for students first year of the course of art and entertainment DASS:
is the history of 'social history of art art 12 credits ,
attenders: two volumes of the manual and opportunity for exoneration

For the same students do not attend, no exemption and added the text: L.

Cassanelli The Renaissance courts, ed.Sinnos, Rome

For students of years after the first :
must follow the plan studies already delivered with the requisite number of credits
(4 or 8) is that the history of modern art history social

History of Modern-core modules: Manual 400 to 700 inclusive, the examination must be superat0 first social history of art or other investigations, even of modern art.

HISTORY OF MODERN ART (after the first year)

to 8 credits: Attending: 4 texts chosen from list (agreed with the teacher) to 4 CFU
: Attending: 2 texts chosen from list (agreed with the teacher)
For all uncommon: to add the notes of last year,
artists and works from the fifteenth to the eighteenth century (yellow kiosks)


SOCIAL HISTORY OF ART
to 8 credits: Attending: Castelnuovo, Baxandall, Wackernagel, Haskell or Shearman + pantry in preparation for 4 CFU

: attending Castelnuovo and Baxandall
+ pantry in preparation for all non-attenders: add notes last year's artists and works from the fifteenth to the eighteenth century (yellow kiosks).

Can I Shower With Yeast Infection

MONDAY 'April 20, 2009

hours in the classroom and the lessons (except for last minute changes!)

RELEASE FIRST 4 CFU of

HISTORY OF MODERN ART: From International Gothic to the late fifteenth

A. Places of art 12 to 14, including chapter (pp. 270 approx)

B. Art in time Parteprima.Il century (pp. 253)

Book on attendance sheet

------------------------------ ------------------------------------------

EXEMPTION OF SOCIAL HISTORY ' ART

A. initial examination, the first three chapters of Castelnuovo

B. Second test: the first two chapters of Baxandall

Book on attendance sheet